Music Theory Academic Library
This highly interactive course culminates in the students producing original compositions, which while based on standard notation, demonstrate facets of personal expression. As the students’ ability to perform increases in the future, they will better understand music and therefore better demonstrate its intrinsic communication of emotion and ideas.
Music Theory
UNIT 1 – RHYTHM AND METER
- Course Overview
- So, Why Study Music Anyway?
- Feeling the Beat
- The Value of a Note
- Measuring Music
- The Value of Silence
- Dots and Ties
- Ear Training #1–Rhythm 1
- Quiz 1: Introduction to Rhythm
- Alternate Quiz 1—Form A: Introduction to Rhythm
- Alternate Quiz 1—Form B: Introduction to Rhythm
- 4/4–The Basic Time Signature
- Going Beyond 4/4
- Still More Time Signatures
- Counting a Bit Faster
- Ear Training #2–Rhythm 2
- Special Rhythms
- Creating a Rhythmic Piece
- Quiz 2: Time Signature
- Alternate Quiz 2—Form A: Time Signature
- Alternate Quiz 2—Form B: Time Signature
- Review
- Test
- Alternate Test—Form A
- Alternate Test—Form B
- Glossary and Credits
UNIT 2 – NOTATION AND PITCH
- The Printed Page
- The Musical Alphabet
- Altering Pitches
- Ear Training #3: Pitch
- Direction and Signs
- Quiz 1: The Look of Music
- Alternate Quiz 1—Form A: The Look of Music
- Alternate Quiz 1—Form B: The Look of Music
- Musical Intervals
- Writing Musical Intervals
- Ear Training #4: Intervals
- From Interval to Melody
- Project: Composing a Simple Melody
- Quiz 2: The Sound of Music
- Alternate Quiz 2—Form A: The Sound of Music
- Alternate Quiz 2—Form B: The Sound of Music
- Voicings
- Instrumentation
- Instrumentation 2
- Ear Training #5: Identifying Instruments
- Quiz 3: The Source of Music
- Alternate Quiz 3—Form A: The Source of Music
- Alternate Quiz 3—Form B: The Source of Music
- Review
- Test
- Alternate Test—Form A
- Alternate Test—Form B
- Glossary and Credits
UNIT 3 – SCALES AND KEY SIGNATURES
- Introduction to the Scale
- The Minor Scale
- Other Scales
- Ear Training #6: Scales
- Project: Composing Non-Diatonic Melodies
- Quiz 1: Musical Scales
- Alternate Quiz 1—Form A: Musical Scales
- Alternate Quiz 1—Form B: Musical Scales
- Employing Scales as Keys
- Identifying Major Keys
- Identifying Minor Keys
- Comparing Major and Minor Keys
- Changing Keys
- Project: Transposing Melodies
- Quiz 2: Musical Key Signatures
- Alternate Quiz 2—Form A: Musical Key Signatures
- Alternate Quiz 2—Form B: Musical Key Signatures
- Review
- Test
- Alternate Test—Form A
- Alternate Test—Form B
- Glossary and Credits
UNIT 4 – HARMONY
- Interval Quality
- Ear Training #7: Major or Minor?
- Perfect Intervals
- Ear Training #8: Major, Minor, or Perfect?
- Augmented and Diminished Intervals
- Ear Training #9: Harmony or Dissonance?
- Quiz 1: Beginning to Harmonize
- Alternate Quiz 1—Form A: Beginning to Harmonize
- Alternate Quiz 1—Form B: Beginning to Harmonize
- Building Triads
- Comparing Triads
- Inverting Triads
- Ear Training #10: Hearing Triads
- Using Triads and Chords
- Quiz 2: Working with Chords
- Alternate Quiz 2—Form A: Working with Chords
- Alternate Quiz 2—Form B: Working with Chords
- Review
- Test
- Alternate Test—Form A
- Alternate Test—Form B
- Glossary and Credits
UNIT 5 – MAKING MUSIC
- Musical Performance
- Musical Performance 2
- Ornamentation
- Phrasing
- Style
- Ear Training #11: Listening for Musical Expression
- Quiz 1: Interpreting Music
- Alternate Quiz 1—Form A: Interpreting Music
- Alternate Quiz 1—Form B: Interpreting Music
- Applications of Music
- Arranging
- Composition Principles
- You’re the Composer
- Original Composition
- Quiz 2: Finding Your Voice
- Alternate Quiz 2—Form A: Finding Your Voice
- Alternate Quiz 2—Form B: Finding Your Voice
- Review
- Test
- Alternate Test—Form A
- Alternate Test—Form B
- Glossary and Credits
UNIT 6 – COURSE REVIEW AND EXAM
- Review
- Exam
- Alternate Exam—Form A
- Alternate Exam—Form B